I love how intuitive random containers are - allowing for superb ease of implementation and great sounding non-static audio manipulation. The idea that you can add to the player's immersion so easily and successfully never fails to make me feel like I'm working with real progress being made at all times. In my previous experiences with middleware so often was I left feeling lost in the weeds and I've never really experienced this with Wwise other than when I was first opening it up. I also found Wwise's courses and the practice/learning games an absolute god-send when I first started learning it.

The layout is very organised. The Events lists is a simple folder structure akin to a bus structure in a DAW. This software is made with traditional audio engineers in mind. It even has the potential to include well known plugins, and has partnership with the likes of Izotope and Krotos.

Wwise is a critical part of the workflow for many audio teams, sound designers and composers. It offers complete flexibility in the implementation of interactive audio, parameter changes and ad hoc audio tools. I really like the support and resources which Audiokinetic offer, though my favourite aspect is the ease of use and it's practicality when prototyping within Wwise itself. The ability to adjust any and all parameters within Wwise's tools results in lower bugs and better implementation, as you can tweak and perfect an audio event before it is even implemented into the game.